(I may say more later — right now I’m having trouble processing all these people passing on.)
Equals parts filmmaker and music nut and creator after my own heart. I thought a good deal of his stuff didn’t quite work, but every time out I could precisely feel and understand where he was trying to go.
The neglected item: Melvin and Howard. Eccentric, sure, but how many movies are not only eccentric but one-of-a-kind?
Favorite uplift from source material: Silence of the Lambs. The book, which I was captivated by the flick enough to read afterward, is clunky and ordinary in comparison. Every change Demme made is an improvement. Wise to shun sequels.
The ultimate of course is Stop Making Sense. Changed the way amplified concerts were filmed. No band could ask for a finer monument. I was riveted by right from the first of the several times I’ve seen it. About halfway through it hit me: “Ho-lee crap — there’s no question this is more exciting and overwhelming than seeing the actual show. No single audience position could knock out your brains like this!”