David Bonetti, Part Three

One of David’s superb characteristics is that he made sure if you hung out with him you would learn art information that was exciting and important to you. During that same St. Louis visit, he ensured we went to what he called the most essential exhibit in the city for me. Turned out to be a small gallery featuring a bunch of early drawings by Jim Nutt (one of the most perfect artist names, ever) including most of the items on this page.

I was captivated and transported. I knew nothing of Nutt (love the phrases that happen spontaneously) barely more about The Hairy Who than they had a super-cool name. Now we’ve got three books about Nutt and the Hairys and a lot more savvy about a major part of early Pop Surrealism. Thanks to David.

Joyce Carol Oates and the Vortex of American Violence

Joyce Carol Oates just put this brilliant comment on Twitter:

all we ever hear is NRA. who exactly are the gun manufacturers whose merchandise is being peddled? whose guns are killing citizens, thousands a year? CEO’s certainly have names. the anonymity of NRA gives it a spurious aura, like “act of God.” blood on the hands of–exactly whom?

 She has the most profound understanding I know of American violence, its cover-up, and its eerie connection to a current of Edgar Allen Poe/H.P. Lovecraft that runs through the country.
If you haven’t read her incredible 1966 story, “Where Are You Going, Where Have You Been,” you must.

It is a masterpiece beyond compare.

Checked One Off the Lifetime Art-View List Yesterday

I’ve yearned to see this painting since I first ran across a reproduction in a book when I was a child:

 

Minerva_and_the_Centaur

So, last night, courtesy of the Botticelli exhibition at the MFA, I was able to fulfill the dream. Aside from making the message marvelously vivid — wisdom/knowledge conquers savagery with a touch — Botticelli’s powers of incarnation are irresistible. Centaurs are real, man. To say nothing of Wisdom Goddesses. Everything whams you — down to the bow and the axe. I am fascinated by the structure behind the centaur, as well. It’s a forever-intriguing mix of a ruin and a natural stone cliff face. Two more days to visit!!

 

[EDIT]

Forgot to add my one real disappointment: The “Venus” on display — despite being the major illustration in the ads for the exhibit — looks a little “off” to me. I’m afraid I’m inclined to accept the notion that it’s a copy made by assistants under Botticelli’s supervision.

Roma Holiday #4: Pleasant Surprises

(1) We got what I would call an ideal viewing of the Sistine Chapel.

We had long been warned to start a Vatican tour as early as possible and zip right to the Chapel in order not to be distracted and even overwhelmed by a sea of crowds. We went with the 7:30 AM tour done by The Roman Guy and indeed did motor pretty much right into the Sistine Zone. I expected the  groups to be as small and scattered as they were, but I worried that we would be more or less hustled through the room. Instead (though our guide said she was not allowed to say much, she would answer questions — I noticed a couple other guides kinda ignored the silencio requirement) we got absolutely enough time for a full examination. And no question, it’s a pinnacle of human achievement.

Three sub-points and I’ll move on. I’ve always thought “God Separating the Light From the Darkness” looked oddly murky and unfinished (even in the cleaned reproductions I had seen). Observing the work itself, it was plain Michelangelo intended this deliberately. The primal origin is the murkiest moment in the history of the universe — and I think every religion as well as science would agree on this truth. Next, no matter how many dozens and dozens of times I have scanned the “Final Judgement” I never appreciated how horrible and emotionally tempestuous is the figure of Minos. Nightmare.

Minos

Finally my favorite non-Michelangelo work in the Sistine is on the right of the back wall. Shows angels chasing demons away from the corpse (and soul) of Moses, who had a very sordid set of later years, of course. Very demony demons (as I say, you can tell when the artist believes) and a knockout presentation of the principle that the good you do can redeem the bad. I flopped attempts to track down who painted it.

(2) The modern art we saw offered serious competition in wonderfulness to the classical masters.

(And my biggest complaint is that you could do a well-researched visit to Rome and hear next to nothing about the Modern treasures.) The Time Out of Joint exhibition was a thorough treat — well, a few dull rooms — and we would say a must. One of the best aspects is that, while there are themed sections, there’s no right or wrong way to put together your path through the building. Just make sure you take in everything. The Hercules in the link, btw, is the only 19th century mythology-themed statue that rivaled the glory-years works. The others were warnings about how trapped in a wondrous past a country’s traditions could become. And even this Herk is an obscure if intense moment I had to look up to remember.

The Botero retrospective was a surprise treat among surprise treats. We got in during a special-discount late-hours session on Saturday and enjoyed a crowd with more art-devoted locals than usual. Particularly strong on showing how turning pre-existing themes into you own language is potent. The blow-my-heart-and-brains section was the one on circus performers. Only gripe: 80-year-old Botero oversaw the selections himself and chose to present his work as a bit more above politics than it is. Even one of these would have made it a perfect survey.

(3) Food and taste cheerys.

We had forgotten that not just eggs but milk — and cheese and ice cream and yogurt etc. — was richer and more complex in Europe than in the US. I yearn for one of those yogurt and fruit snacks to this minute. Also, sticking rigidly to my new eating schedule felt half deranged and half impossible. Especially as I caved on carbs for unforgettable pasta and even bread sometimes, I worried. We were quite active — walked at least two miles or more every day — I was sure I would gain.

Stepped on the scale the day after we returned: not a single pound added. Joy oh joy. The only change I’m going to make in my routine is to be a tiny bit more forgiving about an occasional slice of bread that seduces me. Should be offset by my reluctance to settle for the lesser pasta hereabouts.

Eternal question: where has Italian wild boar been all my life? Over there, waiting for me to flip out over it.

(4) The stunning clarity of the cleaned-off artwork banished all regret at taking so long to visit the Eternal City.

The freshened stone and canvas and even paper are what to see. An indisputable argument was the Coliseum — where you almost wish they would leave the grime-removal incomplete since the compare-and-contrast was so fascinating.

Speaking of the Coliseum, another pleasant surprise was the extensive temporary display that traced the history of the giant structure in reproductions and reconstructions, including representations in paintings and illustrations.

There was yet still more, but I’m outta poop.