As always, from “Police Incidents”:
Suspicious hair on Aspinwall Avenue: At 5:23 p.m., caller reported seeing a large amount of hair stick out of the green utility box on the corner of Aspinwall Avenue and Harvard Street, by the Walgreens. The caller did not see anything else.
Now I have to put the lovely artwork of this CD in the Never-Play Shitpile with the Nuge.
Hey, the rain today wasn’t a ferocious as predicted …. got to see modern dance presentation at the Isabella Stewart Gardner and get one of my good ganders at a painting of a demon by someone who believed they were real.
(It’s “Saint Michael, Archangel.” The demon does not look like any clever monster-mashups from scary creatures. Really suggests something not from this universe.)
“a caller reported that a flock of turkeys had been separated behind the tennis courts. The caller said that one turkey could not figure out how to reunite with the family on the other side of the fence and all the turkeys were pacing back and forth.”
“a caller reported a blue jay appeared ill and had not moved ‘for hours.’ The caller said the bird was near the farm stand and that lots of people had been touching it.”
Which is what we called him when I took his BU disinformation class in 1979.
As you can tell, very witty, yet made sharp, even corrosive points. One story I remember is that he mentioned learning Elvis Presley songs on acoustic guitar “so young people would trust us at parties.”
One of the most informative and enlightening classes I ever attended.
From “Police Incidents”
First, a classic Students Are Back muck-up:
“At 11:13 AM, a caller reported that a couch was stolen from outside their apartment door. Later in the day, the caller reported finding her couch in another apartment. The resident said his roommates must have brought it in and the caller insisted it was her couch, according to the report.”
Next, some Street Surrealism:
“At 4:30 PM, a caller reported that a man approached the caller and her friend, asked to use their cell phone and said he needed to speak with Herbie Hancock, the jazz artist.”
The last time we saw him perform was at the New England Conservatory, the same week as the Marathon Bombings. He stopped in the middle of the show to announce that one of the supreme powers of music was its ability to heal and that he was consciously setting out to do that this night.
He worked magic. We came out of the hall with soaring spirits, an enormous dark weight lifted from us. Randy Weston healed us like no other performer at an essential moment of anguish. Eternal thanks and peace.
This is your prime starting spot. Little Niles, Live at the Five Spot and (esp.) Uhuru Afrika are masterpieces. Uhuru changed my head forever in that I heard jazz as African music like never before.
Maybe no surprise, this is the second stop — which shows you how he got to my first pick. Jazz a La Bohemia and Solo, Duo & Trio feature tremendous lineups and not a weak moment of playing.
This is the less-well-known recommendation that keeps exploding and expanding with that collective soul strength. Will make you spin around the room. Play loud.
I think Tanjah was the album that introduced me to Weston, maybe from a review by Robert Palmer. I don’t know how many of his records I own — many, many, many.
They’re kind of a menace, honestly.
They’re around here all the time. Have sat and shat on our roof. I watch for them nonstop, because especially groups with a couple Toms can become standout pests. You want to chase them away from any area you care about. Because if they think they can wander around with impunity, they will be back every other day.
I’ve had to smack a Tom with a broom as he raced toward me — his noise was not “gobble gobble” but a screeeeech. Now I don’t approach even a couple of hens without a broom and waving it at them aggressively seems to work. You think they must have a communications network: “Stay away from grumpy old Miles — he’s not worth the trouble.”
Confirmation that I’m on to something.