My favorite African Jazz Pioneers album is Live at Montreaux Festival. The S/T debut is my second pick.
I see there’s a new book about classic rock’s darkest day, Just a Shot Away. With what seems like a much-needed remedial main thread. (And I must say that the event is the one thing I utterly hate about the Grateful Dead.)
My most vivid encounter with Altamount horrors came when I mentioned the Gimme Shelter documentary to a music photographer (forgive me for not remembering his name) and he said he was at the show, taking photos. But it was such a drug-soaked and violently deranged scene — more like a riot than a concert — that after half an hour he put away the camera and volunteered to work in a First Aid tent.
It was the look on his face as he recounted this that froze me. This was someone who had witnessed an atrocity.
This is what I wrote almost four years ago. I would make one major change. I suggested that if Cosby had muffled his arrogant criticism of younger black culture, the story of his serial molestations might have stayed dead. That is absolutely not true. He could have used everything he had to keep the accusations old news, but social and cultural change would have kept them burning-hot items. It’s one of the saddest, most abject collapses of my life.
Seems like another good time to re-slam the walking turd-in-chief.
He was there to ladle on a particular brand of dry resentment about race and power and class convolutions. After I visited the place, he seemed very St. Louis to me. (I missed out on all his TV work after “Benson”.) And you have to say he elevated a mystic baboon from a potential nothing-shtick into an essential part of a major Disney franchise. (I argued that was not least because Rafiki seemed like the only character who was remotely from Africa.)